Full Synopsis
Act One
A rainy night in Edwardian London near the Royal Opera House, a young cockney flower girl, Eliza Doolittle, is selling violets. A young man, Freddy, bumps into her and spoils her flowers. Eliza is cheered up when an elderly gentleman, Mr. Pickering, buys a flower, but again has an outburst when she notices another gentleman writing down how she talks. He introduces himself to the older gentleman as Henry Higgins, a phoneticist, and bets that he can make Eliza a lady by improving her speech ("Why Can't the English"). As they depart he unwillingly throws some loose change into Eliza's bucket, and she imagines what it would be like to live a life like the proper folk ("Wouldn't It Be Loverly").
The next morning Alfred Doolittle, Eliza's father, seeks out Eliza for some money for a drink ("With A Little Bit of Luck"). Meanwhile Higgins and Pickering are discussing linguistics when they get an unexpected visit from Eliza. She is seeking speech lessons to be able to get a job as an assistant at a florist's shop. The two men reinstate their previously discussed wager, and Higgins begins the preliminary attempt to refining Eliza ("I'm An Ordinary Man"). Arthur Doolittle hears of Eliza's lessons, and decides to try and see if he can score a little money out of the arrangement ("With a Little Bit of Luck - Reprise").
Higgins, impressed by Arthur's linguistics and lack of moral code, agrees to pay Arthur to go on a spree so Eliza can continue lessons and also recommends him to an American millionaire seeking a lecturer on moral values. Liza's tumultuous lessons continue, and she frustratingly imagines ways to get rid of Higgins ("Just You Wait"). The tired servants are on the verge of giving up when suddenly Eliza has a phonetic breakthrough and perfectly recites "The Rain in Spain." An overjoyed Eliza is too thrilled to sleep ("I Could Have Danced All Night").
Eliza is brought to the racecourse to to test her new skills ("Ascot Gavotte"). After an initial good first impression, Eliza shocks the attendees with vulgar slang and Cockney attitude - but not without entrancing the young man, Freddy Eynsford-Hill, she bumped into outside the opera. Freddy is denied by Eliza when he calls on her, but swears to wait for her as long as necessary ("On The Street Where You Live").
The final test is at the Embassy Ball where Eliza dazzles as a lady and impresses everyone, including the Queen of Transylvania ("Embassy Waltz"). A former student of Higgins, Zoltan Karpathy, is employed to discover the truth about Eliza through her speech. Though cautioned by his mother and Pickering not to let Karpathy dance with Eliza, Higgins relents.
Act Two
The test at the Embassy Ball is considered a success as Karpathy has concluded that Eliza must be of Royal Hungarian blood. Pickering and Higgins are ecstatic at the success and declare the experiment over ("You Did It"). Eliza feels used and alone, her feelings unnoticed by Higgins. She lashes out at him and decides to leave. Higgins insults her and abruptly leaves ("Just You Wait - Reprise"). Outside she finds Freddy, still waiting for her ("On The Street Where You Live - Reprise"). He begins to explain his feelings of love towards her, but she cuts him off, tired of words ("Show Me"). The two return to Convent Garden where Eliza is unrecognizable with her new demeanor ("The Flower Market / Wouldn't It Be Loverly - Reprise"). Her father also happens to be there, well dressed and with news that he has been bequested four thousand pounds a year and now must marry Eliza's "step-mother" to be a respectable gentleman ("Get Me To The Church On Time").
Higgins reflects on life with and without Eliza ("A Hymn to Him"). Higgins seeks his mother's advice and is surprised to find Eliza having tea with her. Left alone, the two can clear the air. While Higgins always treated Eliza like a flower girl, Pickering treated her like a lady. Higgins denies any difference in treatment, and Eliza announces she will marry Freddy because he loves her. She says she was foolish to think she needed Higgins and will never see him again ("Without You").
Henry Higgins realizes his attachment to Eliza ("I've Grown Accustomed To Her Face"). He re-plays the recordings of their first lesson and only hears his harsh and disparaging words. He is interrupted by a Cockney accent, Eliza, who has returned for a possible reconciliation.
Show History
Inspiration
My Fair Lady is based on the George Bernard Shaw play Pygmalion.
Productions
The musical opened on Broadway on March 15, 1956 at the Mark Hellinger Theatre and later the Broadhurst Theatre and The Broadway Theatre. It ran for 2,717 performances, a record at the time, and starred Rex Harrison and Julie Andrews.
A 1958 West End Productionopened at the Theatre Royal and ran for a total of 2,281 performances.
The show has been revived on Broadway and the West End numerous times throughout the decades, and new Broadway revival is set to open in 2018 at the Vivian Beaumont Theater at Lincoln Center.
Tony® Award
Drama Desk Award
Outer Critcs Circle Award
Outer Critics Circle Award
Drama League Award
Billing
- Book and Lyrics by
- Music by
Requirements
(100%)
Book and Lyrics by
ALAN JAY LERNER
(75%)
|
Music by
FREDERICK LOEWE
(75%)
|
Gabriel Pascal's Motion Picture "PYGMALION"
Video Warning
In accordance with the Performance License, you MUST include the following warning in all programs and in a pre-show announcement:ANY VIDEO AND/OR AUDIO RECORDING OF THIS PRODUCTION IS STRICTLY PROHIBITED.
Included Materials
Item | Quantity Included |
---|---|
LIBRETTO/VOCAL BOOK | 32 |
PIANO VOCAL SCORE | 2 |
Production Resources
Resource |
---|
CUSTOMIZABLE SHOW POSTER |
FULL SCORE VOL. 1 OF 4 |
FULL SCORE VOL. 2 OF 4 |
FULL SCORE VOL. 3 OF 4 |
FULL SCORE VOL. 4 OF 4 |
HOW DOES THE SHOW GO ON-10/CS |
HOW DOES THE SHOW GO ON? |
LOGO PACK DIGITAL |
ORCHEXTRA |
PRODUCTIONPRO |
REFERENCE RECORDING |
REHEARSAL ACCOMPANIMENT RECORDING |
SCENIC PROJECTIONS |
SCENIC PROJECTIONS PRO |
SCENIC PROJECTIONS-ANIMATED |
SCENIC PROJECTIONS-STILL |
STAGE MANAGER SCRIPT |
STAGE WRITE APPLICATION |
CUSTOMIZABLE SHOW POSTERS |
PERFORMANCE ACCOMPANIMENT RECORDING |
STANDARD ORCHESTRATION
Instrumentation | Doubling |
---|---|
BASS | ACOUSTIC BASS |
CELLO | (2 PLAYERS MINIMUM) |
HARP | |
HORN | |
HORN 2 | |
PERCUSSION | BASS DRUM , BELLS , CASTANETS , CHIMES , COW BELL , HORSE RACE SIGNAL , SLIDE WHISTLE , SNARE DRUM , SNARE DRUM (DEEP) , SUSPENDED CYMBAL , TAMBOURINE , TIMPANI (2) , TOM TOM , TRIANGLE , WOOD BLOCK , XYLOPHONE |
REED 1 | FLUTE , PICCOLO |
REED 2 | ENGLISH HORN , OBOE |
REED 3 | CLARINET |
REED 4 | CLARINET |
REED 5 | BASSOON |
TROMBONE | |
TROMBONE 2 | BASS TROMBONE |
TRUMPET | |
TRUMPET 2 | |
TRUMPET 3 | |
TUBA | ACOUSTIC BASS , TUBA |
VIOLA | (2 PLAYERS MINIMUM) |
VIOLIN | (4 PLAYER MINIMUM) |
VIOLIN 2 | (2 PLAYERS MINIMUM) |