“This magnificent set is testimony to Sheldon’s place in the pantheon of Broadway musical creators.”– Harold PrinceAs we celebrate Sheldon Harnick's 90th birthday and the 50th anniversary of Fiddler on the Roof's Broadway debut, there ...
Send in both the frowns and the crowns for Tom Rowan’s production of A Little Night Music at The Gallery Players in Brooklyn.If you don’t know Stephen Sondheim and Hugh Wheeler’s 1973 Best Musical Tony-winner, time has come for you to make ...
With this year's season coming to a close, we know you will soon begin planning your next musical and MTI is here to help. We are offering some suggestions related to tried and true audience favorites. To make your selection process easier, we ...
The Hackney Empire's London production of BLUES IN THE NIGHT is delighting audience members and critics alike. As the buzz builds across the pond for a possible West End transfer, there's never been a better time to bring this dynamite "dramatic ...
As the season comes to a close and you begin to think about next year's musical, we wanted to offer some suggestions related to tried and true audience favorites. To make your selection process easier, we divided our shows by characteristics we know ...
Alan Menken, Howard Ashman, Tim Rice and Chad Beguelin
for
Disney's ALADDIN
BEST MUSICAL, BEST BOOK, BEST ORIGINAL SCORE WRITTEN FOR THE THEATRE
Alain Boublil, Claude-Michel Schönberg and Herbert Kretzmer
for
LES MISÉRABLES
BEST REVIVAL OF A ...
2014 marks the 50th anniversary of the first publication of the beloved Flat Stanley book series. We’re thrilled to join in on the flat fun by offering all sorts of specials on The Musical Adventures of Flat Stanley JR. and The Musical Adventures ...
The hauntingly beautiful musical DOGFIGHT by Pasek and Paul (EDGES, JAMES AND THE GIANT PEACH, A CHRISTMAS STORY THE MUSICAL) and Peter Duchan, was praised by countless critics and nominated for nearly every award available including winning the ...
For years, he was your stalwart leading man. He had the good looks, the great voice and the requisite masculinity. But, as Lorelei Lee taught us, “we all lose our charms in the end.” Now he’s not as swaggeringly handsome and he’s gone gray ...
How about doing Ain't Misbehavin' as a midnight show?Of course there’s nothing wrong with presenting the Tony-winning smash hit at your usual 8 p.m. start or by having matinees at 2 or 3 p.m. Thousands have done so and have seen felicitous ...
